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Once loaded, I selected the layers and used the Auto-Align tool to ensure all the images lined up with each other. IIQ format), which I loaded into an image stack in Photoshop I initially exported 45 full-resolution images (in Phase One’s. This kind of compositing work can be demanding on a system, especially when working with multiple high-resolution layers It involved shooting all the different elements individually then piecing together numerous images from the camera into the single, finished shot. I put together an ambitious product photoshoot of a “technology stir fry” showing a variety of tech products being tossed in oil in a wok above some roaring flames.
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is in the hands of elite professional commercial photographers the world over and its stunning, detailed images would be a great test for the M1 Max chip. He describes just how demanding a commercial shoot can be, even for a single image. In short, it’s a behemoth of a Photoshop document, clocking in at almost 11GB in size …ĬNET’s lead photographer Andrew Hoyle reported back on his experience of working with the Phase One XFIQ4 medium-format camera tethered to an M1 Max MacBook Pro with 64GB unified memory. The finished image was made of 28 full-resolution images, loaded into a single document in Photoshop, each one with its own masking, adjustments, and other effects.
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The power of the M1 Max MacBook Pro has been seen in a demanding real-world photoshoot using multiple 150-megapixel layers shot with ‘the world’s best commercial camera.’
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